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・ Blacklands Railroad
・ Blacklane
・ Blackle
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・ Blackleach Country Park
・ Blacklead
・ Blacklead Island
・ Blackleaf Formation
・ Blackledge
・ Blackledge River
・ Blackledge River Railroad Bridge
・ Blackledge-Kearney
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・ Blackleg (disease)
・ Blackleg (potatoes)
Blackleg Miner
・ Blacklegs (horse)
・ Blacklers
・ Blackletter
・ Blackley
・ Blackley and Broughton (UK Parliament constituency)
・ Blackley Cemetery
・ Blackley, West Yorkshire
・ Blacklick
・ Blacklick Creek
・ Blacklick Creek (Ohio)
・ Blacklick Creek (Pennsylvania)
・ Blacklick Estates, Ohio
・ Blacklick Township, Cambria County, Pennsylvania
・ Blacklick Valley Junior Senior High School


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Blackleg Miner : ウィキペディア英語版
Blackleg Miner

Blackleg Miner is a 19th-century English folk song, originally from Northumberland (as can be deduced from the dialect in the song and the references in it to the villages of Seghill and Seaton Delaval). Its Roud number is 3193.〔http://www.vwml.org/roudnumber/3193〕
==History==
It is not entirely clear how old the song is, although it is thought to have been written either in the late 19th or early 20th century. Richard Thompson, who released a version of it in 2006, dates it as early as the first half of the 19th century. However, if this was true, it must have been translated into more modern English, as the lyrics would not have been part of the language of 19th-century Northumberland.
The lyrics, which are traditional, depict the determined, uncompromising stance against strikebreakers adopted by unionized strikers - the term ''blackleg'' being an older word for scab (the mining sector in the UK was always heavily unionised and strikes could cause bitterness both within and between pit communities, but more often gave rise to expressions of solidarity such as sympathy strikes by other pits, material assistance such as food, and a feeling of belonging to a proud and powerful community of workers).
For a period in the 1960s and 1970s, the song's uncompromising lyrics were appreciated for their directness and militancy by many young people radicalized by the student rebellions of 1968, and the song was often sung at folk music societies. The song gained another revival during the hard-fought strike of the 1980s. However, some of the violent clashes during the 1980s strike (most notably the attacks on Michael Fletcher and David Wilkie) caused many to feel uncomfortable with suggestions of violence against strikebreakers.
Thereafter, playing the song became a political statement in support of the strike and some folk clubs avoided the song due to its description of violence used by others than the army and the police. This was counterbalanced by an increase in bands that played the song. The best-known version was by Steeleye Span, who played the song in Nottingham—an area that had seen a lot of strikebreaking violence during the strike—in 1986.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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